As the Vancouver landscape is constantly shifting, we ponder what history is lost and forgotten. Through SOTTO 51, we research, remember, and celebrate Block 51, 61, and 71, commonly known as Robson Square, the Vancouver Art Gallery, and Provincial Law Courts–an area of the unceded Coast Salish territory and the City of Vancouver that is significant to the street dance community and personally to OURO members.
With SOTTO 51 we are considering how changes in our urban landscape effect personal memory and cultural amnesia, and how an erased past effects future generations. Our research starts with the indigenous history of Robson Square (through consultation from the Aboriginal Programs at Emily Carr University of Art + Design), followed by the history of the colonial site that Robson Square represents to present day and also looking at what the future holds for the site. We have and will be talking to various historians, dancers, architects (Arthur Erickson Foundation), and various shop keepers in the area and invite you to share your stories and any information that you would like to share by sending us and email at: email@example.com
Research for SOTTO 51 started in the spring of 2019 and will continue until its premiere at Robson Square in May of 2021. This page will give you updates on our project, which will include interviews, photos, rehearsal footage and various dates on workshops, work-in-progress performances and the final presentation.
SOTTO 51 has been postponed to September 2021 due to COVID-19 restrictions. Keep checking back for updates!
SOTTO 51: Phase 1 – August/September 2020
Creating and dancing in a community space is unlike any other. During phase 1 we explored how an open public space, such as Robson Square and its surroundings can inform choreography. During this phase OURO worked on developing a duet with collective dancers, Rina Pellerin and Eric Cheung, with co-direction from Maiko Miyauchi and Cristina Bucci. Big thanks to Vitantonio Spinelli for the beautiful photos and to Jeff Hamada for capturing our rehearsal process and behind the scenes footage below.
Dancers: Rina Pellerin and Eric Cheung Videographer/Edit: Jeff Hamada Music: Dreamer’s Wake by Rival Consoles Logo Design: Abi Huynh
*SOTTO 51 Phase 1 Video was filmed prior to the new restrictions put in place by British Columbia’s Provincial Health Officer. Any dancers shown within 6 feet of each other were within the same social bubble at the time.
SOTTO 51: Aboriginal Cultural Workshop – October 2020
The workshop was hosted in the Aboriginal Gathering Place at Emily Carr University and presented by Brenda Crabtree and Connie Watts. It is our mission to create a piece that acknowledges and respects the people, land, and culture that came before us. In this workshop we talked about, Indigenous Canada, history of Canada including residential schools and the potential of intergenerational trauma, resilience of Indigenous communities, role of ally, challenging racism, and the opportunities to contribute to reconciliation.
We are grateful and thankful for the opportunity and to have Brenda and Connie share their knowledge with the collective. We are looking forward to our second workshop in January 2021!
(The new name for the giant open space on the north side of the Vancouver Art Gallery is, šxʷƛ̓ənəq Xwtl’e7énḵ Square. According to the City of Vancouver, it “refers to a place where a cultural gathering occurs such as a wedding, funeral, naming, honouring, or coming of age ceremony”. The name incorporates languages of all three First Nations. Learn how to say the name through this link.)
SOTTO 51: Phase 2 – October/November 2020
Finally bringing all the dancers in a space to share and create was exhilarating.
In 1970, the British Columbia Centre was originally designed to be the tallest building in Vancouver. Fears of the dark shadow the building would cast, led the newly elected party to commission a redesign by Arthur Erickson who turned the building onto its side stretching it across three blocks. Erickson stated: ‘This won’t be a corporate monument. Let’s turn it on its side and let people walk all over it.’
The history of the space/architecture and architect, Arthur Erickson, informs our choreography and introduces themes of opposition, playing with shadow in reference to the building’s original design, working with inversion, inclination, and support as the change in power transforms the building’s redesign. The dancers for the new creation include, Rina Pellerin, Eric Cheung, Shana Wolfe, Ash Cornette, Cristina Bucci, and Maiko Miyauchi, as rehearsal director. Special thanks to Bridge and Enrich Lives Society, Tangible for their support during this phase, and Vitantonio Spinelli for the beautiful photos and video!
Videographer/Edit: Vitantonio Spinelli Music: A.A.L. (Against All Logic) – For Kennedy Logo Design: Abi Huynh
*Phase 2 rehearsals were held prior to the new restrictions put in place by British Columbia’s Provincial Health Officer. Any dancers shown within 6 feet of each other were within the same social bubble at the time.
SOTTO 51: Phase 3 – March/May 2021
OURO Collective began as a handful of dancers celebrating each other’s artistry, sharing ideas, and discovering new ways of moving. To this day, we continue our collaborations with dancers of all genres and artists of different mediums.
This season, we are delighted to work with Abhishek Joshi for our SOTTO 51 Photoshoot. Abhishek combined his incredible design skill and his eye for movement to generate delicate yet powerful virtual glass shapes spiraling around our bodies.
“For the past few years I have been obsessed with ellipses and the ideas of cyclical continuity all around us. Whether it is in natural cycles of life and death or in spiritual and mathematical concepts of zero and nothingness. When the collaboration with Ouro came up, it felt like the perfect project to explore this. Especially as Ouro’s name also embraces the elliptical form of the serpent eating its own tail.
I created an ouroboros of sorts, made of virtual glass, orbiting the dancers’ forms. I wanted to create a visual that almost looked like trails of motion but without a start or end. A vortex of energy encapsulating the movement of the dancer or being created by it.”
Priory graciously provided some stunning clothing for us to move in. The silky smooth fabric and structured shapes were the perfect combination for this collaboration.
If you are interested in donating to this project or would like more information, please email us at firstname.lastname@example.org or click on the donate button below. We would like to thank the Canada Council for the Arts, BC Arts Council, Bridge and Enrich Lives Society, and Tangible for their support on this project.